Hugo Schwyzer

UPDATED: Both Amanda and Seal Press have issued clear and heartfelt apologies for the images that appeared in It’s a Jungle Out There. The images will not appear in the second edition of the book. I honor the swift and unequivocal response from both Amanda and her publisher, and in light of this necessary and rapid apology, give the book my continued and wholehearted endorsement. I appreciate in particular that Amanda and Seal both take full responsibility for the very unfortunate decision to allow these images into the book, and am particularly heartened that the publishers acknowledge that Amanda herself was in no way involved in the editorial choice to place these comics in the text.

UPDATE TWO: I was wrong. Again. The endorsement of the text stands, but as long as the words on the page are presented next to racist images, I cannot recommend buying or using this book. I enthusiastically support a new edition of the book. Though the apology by Amanda was eloquent, concise, and sincere, it is only a first step to action. And the immediate action that must be taken, and is being taken, is the production of a new edition without these images. In whatever way my endorsement counts, please understand that it is only for that new edition. I do not suggest buying currently available copies from Amazon or another source until that second printing becomes available.

The original post remains:

I’ve got Lucy Kaplansky playing on my Itunes. She’s one of the artists I play when I need calming down.

This is a hard post to write. I’ve been in the forefront of those defending Amanda Marcotte against charges of appropriation and racial insensitivity. One month ago today, I wrote an enthusiastic review of her new book It’s a Jungle Out There: The Feminist Survival Guide to Politically Inhospitable Environments. I stand by the content of the review, which was based entirely on the words contained within the short, readable, accessible and often captivating text. But what I didn’t review, or even analyze in private, were the illustrations from the book.

It’s a Jungle Out There chooses, not surprisingly, a jungle theme for its imagery. Using pictures from the Marvel Comic series “Lorna the Jungle Girl”, the front cover is complemented by perhaps ten illustrations inside the book. Some of them are reproduced here. Marcotte’s theme is that feminists face a misogynist jungle; her blonde Lorna seems — and I say seems, because I don’t know what Amanda’s exact intent was — to be doing battle against those forces. On the cover, Lorna is about to spear a crocodile. But inside, Lorna does battle with dark-skinned natives. In the worst of these, Lorna delivers a mighty kick to a man with black skin and a traditional mask; she does so to rescue an apparently captive white man. Read Ilyka’s post for more.

When this discussion first came up yesterday at Feministe, my first response was to say that the images were surely intended ironically. But upon reflection, and after reading the many responses in that thread, I reconsidered. I don’t question Amanda’s intentions, or those of Seal Press. I don’t for one second believe that Amanda that anyone involved with producing the book made a consciously racist decision. But racism has damn all to do with intention, and a great deal more to do with perception. And it’s hard, very hard, to see these images as anything other than horribly racist. Given the desire to have this book appeal to the widest possible audience, I can’t for the life of me figure out how the potential interpretation of these comic drawings wasn’t taken into account. Continue reading ‘On Lorna the Jungle Girl and the dark-skinned natives: a reluctant challenge to Amanda Marcotte: UPDATED’