Nearly three weeks ago, Jaclyn Friedman and Jessica Valenti announced a call for submissions for their new anthology project: Yes Means Yes. The blurb:
Imagine a world where women enjoy sex on their own terms and aren’t shamed for it. Imagine a world where men treat their sexual partners as collaborators, not conquests. Imagine a world where rape is rare and swiftly punished.
Welcome to the world of “Yes Means Yes”.
“Yes Means Yes!” will fly in the face of the conventional feminist wisdom that rape has nothing to do with sex. We are looking to collect sharp and insightful essays, from voices both established and new, that demonstrate how empowering female sexual pleasure is the key to dismantling rape culture.
Even in the midst of the holiday frenzy, the by-now customary brouhaha erupted across the feminist and progressive blogosphere. Busy as I was with family and tree obligations, I didn’t catch up on most of the controversy until yesterday. Theriomorph’s post has some of the most cogent criticisms of the YMY project, and includes links to other bloggers who have taken issue it.
The criticisms are many, but seem to fall into a couple of clear categories:
1. Yes Means Yes! defines “rape culture” too narrowly. It takes the “acquaintance rape” scenario and expands it to include every other aspect of sexual assault. How, the critics wonder, can “empowering female sexual pleasure” do anything about the guy with a knife lurking in the bushes, or about the international trafficking of women? Theriomorph got off the best zinger in this regard: An upper middle class 18-30 year old white woman’s screaming orgasm is not going to end rape.
2. The YMY call for submissions is unnecessarily divisive. To some, promising to “fly in the face of conventional feminist wisdom” sounds like a thinly-disguised effort to stir up the old “anti-sex Second Wave vs. pro-sex Third Wave” argument. Given that in 2007, it’s difficult to label anything as “conventional feminist wisdom” (given the breadth and diversity of the movement), it suggests to some that the editors of YMY are erecting a straw-woman to knock down.
Let me say that I do intend to submit an essay for possible inclusion in the Yes Means Yes! anthology. I intend to re-work and expand my “Not just consent, but enthusiasm” post. I’ll focus on how those of us who work with young people can design and implement workshops and programs that focus on the “enthusiasm” and “joy” model. I’ll be writing most of the piece in February, just before the March 1 deadline for submissions. So I’m posting now as a potential contributor, which no doubt partly colors what I have to say.
That said, I have never met Jessica Valenti. We’ve spoken on the phone and exchanged e-mails, but that’s it. (I look forward to meeting her — and a lot of other good folks — at WAM 2008). But I’m convinced that at least some of the outrage directed at Yes Means Yes! is rooted in a knee-jerk antipathy towards her. Indeed, many of the harsh words about the YMY project are directed towards her and not towards her co-editor, Jaclyn Friedman. The resentment Jessica inspires in one corner of the blogosphere is stunning. And while some of the criticisms of her various projects may be fair, it seems clear that much of what is being said about her current anthology is rooted as much in envy and personal animus as it is in legitimate qualms about her approach.
Jessica has, it seems, ceased to be a person and become a symbol. Her writing at Feministing and in her books have given her a high profile, and through no intent or design of her own, she has become representative of what a great many people dislike about a certain kind of contemporary feminism. In the eyes of some of her most bilious critics, Valenti is the embodiment of superficial, orgasm-obsessed, clueless, vapid, white feminist privilege. The lengthy, painful discussions of Full Frontal Feminism that raged in both May and November mixed legitimate criticisms of the popular — and as my students will attest, deeply important and useful — book with ugly personal invective. And the hangover from those arguments seems to have colored the conversation about an anthology that hasn’t even been put together yet.
At the same time, I too have some problems with the call for submissions. Rape, after all, isn’t only a huge problem — it’s a multi-faceted one. Some men rape without being cognizant that they are raping, just as some women have sexual experiences that they have trouble labeling as rape. Other men rape with the clear intent of degrading women. Some women are raped as punishment for the transgressions of their relatives, or raped because they were on the losing side in war. Clearly, “empowering female sexual pleasure” isn’t a viable universal strategy for ending all forms of rape. It’s a very powerful strategy, however, for ending one particularly insidious kind of rape that is widespread in our own culture. The small mistake in the call for submissions lay in not clearly distinguishing which aspect of rape culture the book was intended to address.
And yeah, I’m not crazy about the “fly in the face of conventional feminist wisdom” line either. Sometimes rape is about sex, and sometimes it isn’t, and almost anyone who does anti-violence work knows that. Very few contemporary feminists (I can’t think of any, actually) argue that rape is never, ever about sex. Yes Means Yes! has the potential to make a major contribution to the discussion about consent, pleasure, and agency; it doesn’t have to position itself as radically revisionist in order to do so.
If this anthology emerges as I hope it will (with or without a Hugo Schwyzer contribution within its pages), it’s going to be less a theoretical compilation than a practical tool. I’d love to have a book I could give to high-school and college-aged men and women, a book that helped them navigate through the sea of confusing messages about what sex is and what it isn’t, a book that honestly addressed what it means to say “Yes”, “No”, and “Not Yet.” More importantly, I’m hoping that this book will, in some small way, help inspire (and yes, empower) young men and women to say both “Yes!” and “No!” with greater certainty and conviction. I can’t know yet if the YMY anthology will prove to be such a tool. The project has promise, however, and I hope that the current debate will only serve to generate a greater number of submissions.
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