Archive for the 'Poetry' Category

Thursday Short Poem: Ryan’s “Things Shouldn’t Be So Hard”

Last week, Kay Ryan was named the new poet laureate of the United States, replacing the estimable Charles Simic. In addition to being a fine poet, Ryan is a fellow California community college professor; she teaches English at the College of Marin. I wasn’t very familiar with Ryan’s work before the announcement of her selection, but of what I’ve tracked down, this is my favorite so far.

Things Shouldn’t Be So Hard

A life should leave
deep tracks:
ruts where she
went out and back
to get the mail
or move the hose
around the yard;
where she used to
stand before the sink,
a worn-out place;
beneath her hand
the china knobs
rubbed down to
white pastilles;
the switch she
used to feel for
in the dark
almost erased.
Her things should
keep her marks.
The passage
of a life should show;
it should abrade.
And when life stops,
a certain space—
however small —
should be left scarred
by the grand and
damaging parade.
Things shouldn’t
be so hard.

Thursday Short Poem: Hughes’ “Coming Down Through Somerset”

I know, another poem about animals struck and killed on the roadway. It’s been a theme this past month, after my heartbreaking encounter with a dying rabbit; I’ve already put up Pablo Neruda’s piece. And here’s one from the decidedly unsentimental Ted Hughes, who could write the animal body better than any of his contemporaries. Hughes had a radically different approach to nature, but his love for the wild was immense.

I’ve driven down through Somerset on the back B roads of the southwest. And since I was a little boy, I’ve been giving burials to the dead animals I found on various streets and roadways. I may be an effete suburban liberal, but I have no fear of blood and guts and torn-up bodies. (Okay, that’s not entirely true. I’m scared to handle even dead rattlesnakes.) In the end, love generally conquers squeamishness.

Coming Down Through Somerset

I flash-glimpsed in the headlights — the high moment
Of driving through England — a killed badger
Sprawled with helpless legs. Yet again
Manoeuvred lane-ends, retracked, waited
Out of decency for headlights to die,
Lifted by one warm hindleg in the world-night
A slain badger. August dust-heat. Beautiful,
Beautiful, warm, secret beast. Bedded him
Passenger, bleeding from the nose. Brought him close
Into my life. Now he lies on the beam
Torn from a great building. Beam waiting two years
To be built into new building. Summer coat
Not worth skinning off him. His skeleton — for the future.
Fangs, handsome concealed. Flies, drumming,
Bejewel his transit. Heatwave ushers him hourly
Towards his underworlds. A grim day of flies
And sunbathing. Get rid of that badger.
A night of shrunk rivers, glowing pastures,
Sea-trout shouldering up through trickles. Then the sun again
Waking like a torn-out eye. How strangely
He stays on into the dawn — how quiet
The dark bear-claws, the long frost-tipped guard hairs!
Get rid of that badger today.
And already the flies.
More passionate, bringing their friends. I don’t want
To bury and waste him. Or skin him (it is too late).
Or hack off his head and boil it
To liberate his masterpiece skull. I want him
To stay as he is. Sooty gloss-throated,
With his perfect face. Paws so tired,
Power-body regulated. I want him
To stop time. His strength staying, bulky,
Blocking time. His rankness, his bristling wildness,
His thrillingly painted face.
A badger on my moment of life.
Not years ago, like the others, but now.
I stand
Watching his stillness, like an iron nail
Driven, flush to the head,
Into a yew post. Something has to stay.

Thursday Short Poem: Wayman’s “Did I Miss Anything?”

I posted this classic back in 2004, but it’s always good for a reprint. I’ve gotten a few such queries from absent students recently, and this Tom Wayman offering is the best riposte to what is, perhaps, the most idiotic and irritating question a student can ever ask.

Did I Miss Anything?

Nothing. When we realized you weren’t here
we sat with our hands folded on our desks
in silence, for the full two hours

Everything, I gave an exam worth
40 percent of the grade for this term
and assigned some reading due today
on which I’m about to hand out a quiz
worth 50 percent

Nothing. None of the content of this course
has value or meaning
Take as many days off as you like:
any activities we undertake as a class
I assure you will not matter either to you or me
and are without purpose

Everything. A few minutes after we began last time
a shaft of light suddenly descended and an angel
or other heavenly being appeared
and revealed to us what each woman or man must do
to attain divine wisdom in this life and
the hereafter
This is the last time the class will meet
before we disperse to bring the good news to all people
on earth

Nothing. When you are not present
how could something significant occur?

Everything. Contained in this classroom
is a microcosm of human experience
assembled for you to query and examine and ponder
This is not the only place such an opportunity has been
gathered
but it was one place

And you weren’t here

“Be proud at least that we know we were wrong”: extra poetry for the Fourth

Richard Wilbur is one of our greatest poets. 22 years ago, he wrote a fine long poem for the centennial of the Statue of Liberty. These two stanzas from that poem move me still, and they describe perfectly a most imperfect and yet not-unpraiseworthy country. If the great E.M. Forster could give two cheers, not three, for democracy, then we who call ourselves citizens of the world first can give at least one solid cheer for the USA.

From all that has shamed us, what can we salvage?
Be proud at least that we know we were wrong,
That we need not lie, that our books are open.

Praise to this land for our power to change it,
To confess our misdoings, to mend what we can,
To learn what we mean and make it the law,
To become what we said we were going to be.
Praise to our peoples, who came as strangers,
Praise to this land that its most oppressed
Have marched in peace from the dark of the past
To speak in our time and in Washington’s shadow,
Their invincible hope to be free at last…

Be proud at least that we know we were wrong. And only those, perhaps, who acknowledge the depth and the scope of the wrongs can have an honesty to their pride.

Thursday Short Poem: Neruda’s “Boy with the Hare”

Two weeks ago today, I walked home with a dying rabbit in my arms. My mother, who taught me to love poetry, sent me this most appropriate Pablo Neruda poem as a reminder of both that heartbreak and the all-too-frequent apathy of others. As I walked home with the bunny cradled against my shirt, many people passed, glanced at what was in my arms, and moved on, unconcerned or embarrassed.

Ode to the Boy with the Hare

On the high road
in the autumn light
a boy
held in his hands
not a flower
or a lantern
but a dead hare.

Automobiles striped
the cold roadway,
through their windshields
stared
unseeing faces
iron
eyes,
alien
ears
teeth
quickly glimpsed
lightning flashing
toward sea and cities.
and the autumn boy
with his hare,
chary

as a thistle
hard as a pebble,
standing there
raising
one hand
to the travelers’
exhalations.
No one
stopped.

Dark stood the
cordilleras,
the hills were
the hue of a puma
pursued,
lavender
lay
the silence
like
two
black diamond
coals
gleamed
the eyes
of the boy with the hare,
tips of two
upraised blades,
two black knife points
were the eyes
of the boy
lost there
offering his hare
in the autumn
immensity of the road.

Thursday Short Poem: Calhoun’s “Mapping Desire”

My body doesn’t look the same as it once did. It’s not just being 41, it’s being 41 with a lot of scars, a lot of running in the wind and the sun, a lot of hard living when I was younger. And though my wife is the only one who touches me and sees me in my vulnerability, I am prone, when I’m not careful, to making self-deprecating remarks to her about my skin and my flesh. But she loves the familiar ruts, the turns and the textures of the imperfect and interesting body with which she shares a life. Jeanetta Calhoun’s poem captures this nicely.

Mapping Desire


“i look like a roadmap,” he says,
intending, i suppose, to deflect
any unrealistic expectations of
the power of passing time on
a face i haven’t touched in years
but he is forgetting
how i love a road trip
sometimes screaming down the freeway
at 2 am, the bass thumping in the speakers
like the pounding of my heart
most often, though, i like to
take the side roads
roll the windows down
inhale the sweet smells
sheltered under the arching
bowers of trees linked
together like fingers of two hands
spanning what separates them
i like to slide into
a roadhouse on the county line
have a beer, some barbecue and
a slowdance to the blues
then unfold my beloved roadmap
run my finger along a chosen course
imagine all the s-turns and heaves
glory in the forgotten lanes
and remember that the end
of one journey is the
beginning of another

Thursday Short Poem: Peacocke’s “Child and Toad”

I have a basic rule: if a poem makes me cry the first time I read it, it ends up on the TSP. Meg Peacocke’s lovely offering puddled me up. I have loved toads, both literary and real, and I have known how heartbreaking it is to lose that childlike relationship with nature.

Child and Toad

She would lean and reach in
to the hollow root slowly
as far as her elbow
and stroke the toad’s chin
and in the waiting afternoon
he would carry his yellow bulk
out of his place of dark
to throb in the unwanted sun
giving his eyes to light,
his cool pale pads of toes
his mouth lipless and wordless
and the skin of his throat.

If the ancient stump
is there lodged in the bank
of the leafy paddock
where we made our camp,
perhaps he still crouches
breathing secret hours,
days, seasons, years,
still dozes, still watches
the light’s transformation
from his earthy seat
beside the hollow lane.
Hunker down, toad.
She won’t come again.
Hunker down, heart.

Thursday Short Poem: Simic’s “Clouds Gathering”

Charles Simic is our current poet laureate (something that John McCain didn’t know, apparently, though I wouldn’t bet that most of the major candidates did). This is a troubling poem, familiar to anyone who has witnessed a marriage or an enduring relationship take a dark turn. This is not my present or my future, but it was my past. And sometimes, storms happen while the trees remain still.

Clouds Gathering

It seemed the kind of life we wanted.
Wild strawberries and cream in the morning.
Sunlight in every room.
The two of us walking by the sea naked.

Some evenings, however, we found ourselves
Unsure of what comes next.
Like tragic actors in a theater on fire,
With birds circling over our heads,
The dark pines strangely still,
Each rock we stepped on bloodied by the sunset.

We were back on our terrace sipping wine.
Why always this hint of an unhappy ending?
Clouds of almost human appearance
Gathering on the horizon, but the rest lovely
With the air so mild and the sea untroubled.

The night suddenly upon us, a starless night.
You lighting a candle, carrying it naked
Into our bedroom and blowing it out quickly.
The dark pines and grasses strangely still.

Thursday Short Poem: Walcott’s “Hulls of White Yachts”

My mother loves this poem. It will be her 71st birthday on Tuesday next, and this Derek Walcott offering is posted in her honor. I’m not as familiar with Caribbean light, but I know what it is to rejoice at a sunset and the quiet contemplation of what comes after.

The Hulls of White Yachts

The hulls of white yachts riding the orange water
of the marina at dusk, and, under their bowsprits the chuckle
of the chain in the stained sea; try to get there
before a green light winks from the mast and the foc’sle
blazes with glare, while dusk hangs in suspension
with crosstrees and ropes and a lilac-livid sky
with its beer stein of cloud froth touched by the sun,
as stars come out to watch the evening die.
In this orange hour the light reads like Dante,
three lines at a time, their symmetrical tension,
quiet bars rippling from the “Paradiso”
as a dinghy writes lines made by the scanty
metre of its oar strokes, and we, so
mesmerized can barely talk. Happier
than any man now is the one who sits drinking
wine with his lifelong companion under the winking
stars and the steady arc lamp at the end of the pier.

Thursday Short Poem: Rukeyser’s “St. Roach”

Part of being a vegan is having love and compassion for the less adorable creatures. It’s easy to love rabbits and dogs; harder to love rattlesnakes and vultures. Muriel Rukeyser’s poem this week challenges us to make that push to embrace the worth and dignity of all that lives.

And of course, this poem is about much more than roaches.

St. Roach.

For that I never knew you, I only learned to dread you,
for that I never touched you, they told me you are filth,
they showed me by every action to despise your kind;
for that I saw my people making war on you,
I could not tell you apart, one from another,
for that in childhood I lived in places clear of you,
for that all the people I knew met you by
crushing you, stamping you to death, they poured boiling
water on you, they flushed you down,
for that I could not tell one from another
only that you were dark, fast on your feet, and slender.
Not like me.
For that I did not know your poems
And that I do not know any of your sayings
And that I cannot speak or read your language
And that I do not sing your songs
And that I do not teach our children
to eat your food
or know your poems
or sing your songs
But that we say you are filthing our food
But that we know you not at all.

Yesterday I looked at one of you for the first time.
You were lighter that the others in color, that was
neither good nor bad.
I was really looking for the first time.
You seemed troubled and witty.

Today I touched one of you for the first time.
You were startled, you ran, you fled away
Fast as a dancer, light, strange, and lovely to the touch.
I reach, I touch, I begin to know you.

Thursday Short Poem: Leithauser’s “Old Globe:

Today is my forty-first birthday. There are some fine poems about turning forty (and I quote Donald Justice’s all the time). The only one I know about being forty-one is this haunting one from Sharon Olds, and I can’t bring myself to make that my birthday poem. So I’m going with another poem about ageing, one by Brad Leithauser that I found in this week’s New York Review of Books. The world has changed less in my lifetime than it has in that of the woman who is the subject of this poem, yet I am old enough to remember not only the Soviet Union, but also Upper Volta. It’s a lovely piece.

Old Globe

For her big birthday
we gave her (nothing less would do)
the world, which is to say

a globe copyrighted the very year
she was born—ninety years before.
She held it tenderly, and it was clear

both had come such a long way:
the lovely, dwindled, ever-eager-to-please
woman whose memory had begun to fray

and a planet drawn and redrawn through
endless shifts of aims and loyalties,
and war and war.

*

Her eye fell at random. “Formosa,” she read.
“Now that’s pretty. Is it there today?”
A pause. “It is,” my brother said,

“though now it’s called Taiwan.”
She looked apologetic. “I sometimes forget…”
“Like Sri Lanka,” I added. “Which was Ceylon.”

And so my brothers and I, globe at hand, began:
which places had seen a change of name
in the last ninety years? Burma, Baluchistan,

Czechoslovakia, Abyssinia, Transjordan, Tibet.
Because she laughed, we extended our game
into history, mist: Vineland, Persia, Cathay…

*

She was in a middle place—
her fifties—when photos were first transmitted,
miraculously, from outer space.

Who could believe those men—in their black noon—
got up like robots, wandering the wild
wastelands of the moon,

and overheard a wholly naked sun
and an Earth so far away
it was less real than this one,

the gift received today—
the globe she’d so tenderly fitted
under her arm, like a child.

*

Finally, there’s cake: nine candles in a ring.
…Just so, the past turns distant past,
each rich decade diminishing

to a little stick of wax, rapidly
expiring. I say, “Now make a wish before
you blow them out.” She says, “I don’t see—”

stops. Then mildly protests: “But they look so nice.”
We laugh at her—and wince when a look of doubt
or fear clouds her face; she needs advice.

Well—what should anyone wish for
in blowing candles out
but that the light might last?

Thursday Short Poem: Simmonds’ “The Woman who…”

The cultural references are heavily English, but the sentiments are nigh-on universal. Kathryn Simmonds describes more than one woman whom I know.

The Woman who Worries Herself to Death

She wasn’t robbed or raped or made a scapegoat of,
she didn’t take ill-fated flights on shaky planes and

no one splashed her house in paint. Kids with hoods
and sovereign rings and hates left her alone. That twinge

she sometimes felt was just a twinge. Her fillings didn’t
leak. At office dos she danced and no one laughed.

Her children didn’t have disorders, fail exams,
take smack. Her husband didn’t love his secretary

or get the sack. But, if you saw her fidgeting
towards the dawn, her breathing playing tricks,

a thousand what ifs snaking in a queue, you’d feel for her,
you’d wish she had something to pin her torment to.

Thursday Short Poem: a section from Newman’s “Coitus Interruptus”

This is the first time I’ve ever put up a poem on Thursday by someone who is a friend on Facebook. Richard Jeffrey Newman’s collection The Silence of Men has been on my shelf for a while, and it’s to my discredit that I’ve taken so long to plug it and to put up one of his offerings as a Thursday Short Poem. Newman writes in a style that recalls Sharon Olds, particularly in his reflections on the body, sex, and death — but his worldview is of the deep masculine. Both tender and unsentimental, he’s produced an interesting and memorable collection. I recommend picking up a copy.

One of my favorite pieces is a long one, “Coitus Interruptus”. I’m putting up the opening section here. We’ve been talking a lot about white privilege in the feminist blogosphere lately; re-reading this poem earlier this week, I saw something here I hadn’t seen before, something about the ways in which racist reality both impinges upon — and leaves untouched — white existence.

From Coitus Interruptus

Naked at the window, my wife calls me
as if someone is dying, and someone
almost is, pinned to the concrete face down
beneath the fists and feet and knees of three

policemen. I’m still hard from before she
jumped out of bed to answer the question
I was willing not to ask when the siren
stopped on our block, but now I’m here and I see

the man is Black, and how can I not
bear witness? They’ve cuffed him
but the uniforms continue to crowd our street,
and the blue and whites keep coming

as if called to war, as if the lives
in all these darkened homes
were truly at stake, and that’s the thing —
who can tell from up here — maybe

we’re watching our salvation
without knowing it. Above our heads,
a voice calls out “Fucking pigs!”
but the ones who didn’t drag the man

into a waiting car and drive off
refuse the bait. They talk quietly
gathered beneath the streetlamp
in the pale circle of light

the man was beaten in, and then
a word we cannot hear is given
and the cops wave each other back
to their vehicles, the sparkle and flash

of their driving off
throwing onto the wall of our room
a shadow of the embrace
my wife and I have been clinging to.

Thank God for those who willing to answer the questions that I too am often willing not to ask.

Thursday Short Poem: Kenyon’s “Otherwise”

Few poets wrote as eloquently about the approach of death as Jane Kenyon; I’ve had one of hers up before; I posted it during the period when my father was in hospice care, and we were walking with him towards death.

In my women’s history class on Tuesday, I gave a ringing lecture on birth control and the importance of bodily autonomy. But in the end, if we’re lucky to live long, we lose that precious mastery of our own flesh. As strong as we are now, it will, in the end, always be otherwise.

Otherwise

I got out of bed
on two strong legs.
It might have been
otherwise. I ate
cereal, sweet
milk, ripe, flawless
peach. It might
have been otherwise.
I took the dog uphill
to the birch wood.
All morning I did
the work I love.

At noon I lay down
with my mate. It might
have been otherwise.
We ate dinner together
at a table with silver
candlesticks. It might
have been otherwise.
I slept in a bed
in a room with paintings
on the walls, and
planned another day
just like this day.
But one day, I know,
it will be otherwise.

Thursday Short Poem: Lux’s “The Milkman and His Son”

Sometimes, one line or one image in an otherwise unremarkable poem grabs you and stays with you for a long time. It is so for me with Thomas Lux’s offering — the final lines resonate, and I wish, though I know I am not, that I was the sort of man of whom such things were said.

The Milkman and His Son


For a year he’d collect
the milk bottles—those cracked,
chipped, or with the label’s blue
scene of a farm

fading. In winter
they’d load the boxes on a sled
and drag them to the dump

which was lovely then: a white sheet
drawn up, like a joke, over
the face of a sleeper.
As they lob the bottles in

the son begs a trick
and the milkman obliges: tossing
one bottle in a high arc
he shatters it in mid-air

with another. One thousand
astonished splints of glass
falling . . . Again
and again, and damned
if that milkman,

that easy slinger
on the dump’s edge (as the drifted
junk tips its hats

of snow) damned if he didn’t
hit almost half! Not bad.
Along with gentleness,

and the sane bewilderment
of understanding nothing cruel,
it was a thing he did best.